“It’s a nonprofit ski hill with a long, wide, medium-grade park, a crazy fast rope tow, lots of trees to cut the wind, and a constant whisp of woodsmoke. It absolutely made our day. ” -Karl
Continue reading Before The Private A-Fair: The Third Coming!Category: Uncategorized
On the Turtle’s Back
We had some awful steps across that frozen lake. Snow above the knee, snow shoes not present, something about a below zero forecast. Minnesota has more ice than a Botswana diamond mine and we had a group of seven. Some pushed ahead of the group and some took their time. Even a snail can pursue at an invaders pace. Banshees of the night. Two of us had headlamps but that was over by the time we reached the island, only a mile from our cabin, as the crow flies. With the snow it felt like five miles of semi-submerged mud atop a bogged-down wetland and that black silhouette in the distance looked like a silk dress wrapped around a pretty women. So someone said, there it is and we were nearly there to the island. It looked like a turtle, to me. We collapsed under a relic stone still, probably used for cooking, but I couldn’t tell. It may have been fifty–make that sixty–years old. It just applied for artifactship; a young relic. The snow was deep enough to burrow like dogs and so we did burrow in like dogs; enough to juke the wind and above the stars were far enough away to spy on. We turned our headlamps off but only out of respect to those dyeing suns. It was here we passed the moonshine and tried to find the dipper. We breathed like Nords. All hail the northern winter.
Continue reading On the Turtle’s BackHannah Peterson: Dew Tour, Trollhaugen, & Snowboarding’s Future
Born and Bred?
“Amery, Wisconsin but raised in Osceola, Wisconsin.”
Home hill?
“Trollhaugen”
Continue reading Hannah Peterson: Dew Tour, Trollhaugen, & Snowboarding’s FutureLuke Swope Does Australia
I’ve Buried a Friend
What is it like to grow up in the 2000’s as a snowboarder? It’s hard to say, really. I know that magazines like TransWorld had their salad days too soon.
Continue reading I’ve Buried a FriendStimulating the Retrograde: Morgan Anderson
Growing speculation as the sun is setting, an uneasiness unique to the individual. Sometimes the things we desire are often things that we need. If it is a form of expression, the individual can only lament the sun, but also feels, at their very core, the need to express themselves before it goes. And so it must be the same in snowboarding.
Continue reading Stimulating the Retrograde: Morgan AndersonEverything You Need: COLAB x FITZHARRIS COOK OUT
Denim and Flannel, Spiderman and Ironman, skate butter and ledges, Ozzy and his bat. All things rad achieve a greater outcome with help of good friends. Continue reading Everything You Need: COLAB x FITZHARRIS COOK OUT
The Mountain
An inclusive description of a mountain might include the antonyms related to impossible, or possibly its aggressive nature and overall resemblance to the word death; the literal embodiment of what is and isn’t possible for the human body to endure is laughing at you.
Nick Tietz: The Thing About Gravity II
It could have been as early as one point five million years ago that early hominids begin using fire. Then, stone tools out of Kenya. Language, bipedalism, and advancements of the cranium. Then we had art… elaborate cave paintings, jewelry, tattoos, and garments. Intelligence, as we know it, has been measured. With carefully collected data we can conceptualize just exactly how human we really are. A constant reminder to ourselves that we really do exist. A real schematic of time and space. Continue reading Nick Tietz: The Thing About Gravity II
Nick Tietz: The Thing About Gravity I
If Roger Keith “Syd” Barrett hadn’t reached for the answers too soon, we’d have never heard such mosaic sounds. And upon his return to Earth, Syd had not found his knowledge easily translated. And soon he became A target for far away laughter. An artist’s greatest skill is not to access the unknown, but rather be accessible to it. The joke of it all is this: the burden is no longer on the shoulders of the artist but rather in the ability for their audience to translate it. Continue reading Nick Tietz: The Thing About Gravity I